When Harriet Beecher marries Calvin Stowe on January 6, 1836, she is sure her future will be filled romance, eventually a family, and continued opportunities to develop as a writer. Her husband Calvin is completely supportive and said she must be a literary woman. Harriet’s sister, Catharine, worries she will lose her identity in marriage, but she is determined to preserve her independent spirit. Deeply religious, she strongly believes God has called her to fulfill the roles of wife and writer and will help her accomplish everything she was born to do.
Two months after her wedding Harriet discovers she is pregnant just as Calvin prepares to leave for a European business trip. Alone, Harriet is overwhelmed-being a wife has been harder than she thought and being an expectant mother feels like living another woman’s life. Knowing that part of Calvin still cherishes the memory of his first wife, Harriet begins to question her place in her husband’s heart and yearns for his return; his letters are no substitute for having him home. When Calvin returns, however, nothing seems to have turned out as planned.
Struggling to balance the demands of motherhood with her passion for writing and her desire to be a part of the social change in Ohio, Harriet works to build a life with her beloved Calvin despite differing temperaments and expectations.
Can their love endure, especially after “I do”? Can she recapture the first blush of new love and find the true beauty in her marriage?
Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix their own marriage. There’s a wealthy bank director who has been too busy to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything. Add to the mix an eighty-seven-year-old woman who has lived long enough not to be afraid of someone waving a gun in her face, a flustered but still-ready-to-make-a-deal real estate agent, and a mystery man who has locked himself in the apartment’s only bathroom, and you’ve got the worst group of hostages in the world.
Each of them carries a lifetime of grievances, hurts, secrets, and passions that are ready to boil over. None of them is entirely who they appear to be. And all of them–the bank robber included–desperately crave some sort of rescue. As the authorities and the media surround the premises, these reluctant allies will reveal surprising truths about themselves and set in motion a chain of events so unexpected that even they can hardly explain what happens next.
Proving once again that Backman is “a master of writing delightful, insightful, soulful, character-driven narratives” (USA TODAY), Anxious People “captures the messy essence of being human….It’s clever and affecting, as likely to make you laugh out loud as it is to make you cry” (The Washington Post). This “endlessly entertaining mood-booster” (Real Simple) is proof that the enduring power of friendship, forgiveness, and hope can save us–even in the most anxious of times.
Twelve-year-old Aru Shah has a tendency to stretch the truth in order to fit in at school. While her classmates are jetting off to family vacations in exotic locales, she’ll be spending her autumn break at home, in the Museum of Ancient Indian Art and Culture, waiting for her mom to return from her latest archeological trip. Is it any wonder that Aru makes up stories about being royalty, traveling to Paris, and having a chauffeur?
One day, three schoolmates show up at Aru’s doorstep to catch her in a lie. They don’t believe her claim that the museum’s Lamp of Bharata is cursed, and they dare Aru to prove it. Just a quick light, Aru thinks. Then she can get herself out of this mess and never ever fib again.
But lighting the lamp has dire consequences. She unwittingly frees the Sleeper, an ancient demon whose duty it is to awaken the God of Destruction. Her classmates and beloved mother are frozen in time, and it’s up to Aru to save them.
The only way to stop the demon is to find the reincarnations of the five legendary Pandava brothers, protagonists of the Hindu epic poem, the Mahabharata, and journey through the Kingdom of Death. But how is one girl in Spider-Man pajamas supposed to do all that?
Sam Sakamoto doesn’t have space in her life for dreams. With the recent death of her mother, Sam’s focus is the farm, which her family will lose if they can’t make one last payment. There’s no time for her secret and unrealistic hope of becoming a photographer, no matter how skilled she’s become. But Sam doesn’t know that an even bigger threat looms on the horizon.
On December 7, 1941, Japanese airplanes attack the US naval base at Pearl Harbor. Fury towards Japanese Americans ignites across the country. In Sam’s community in Washington State, the attack gives those who already harbor prejudice an excuse to hate.
As Sam’s family wrestles with intensifying discrimination and even violence, Sam forges a new and unexpected friendship with her neighbor Hiro Tanaka. When he offers Sam a way to resume her photography, she realizes she can document the bigotry around her — if she’s willing to take the risk. When the United States announces that those of Japanese descent will be forced into “relocation camps,” Sam knows she must act or lose her voice forever. She engages in one last battle to leave with her identity — and her family — intact.
Emily Inouye Huey movingly draws inspiration from her own family history to paint an intimate portrait of the lead-up to Japanese incarceration, racism on the World War II homefront, and the relationship between patriotism and protest in this stunningly lyrical debut.
Bloomsbury Books is an old-fashioned new and rare book store that has persisted and resisted change for a hundred years, run by men and guided by the general manager’s unbreakable fifty-one rules. But in 1950, the world is changing, especially the world of books and publishing, and at Bloomsbury Books, the girls in the shop have plans:
Vivien Lowry: Single since her aristocratic fiance was killed in action during World War II, the brilliant and stylish Vivien has a long list of grievances–most of them well justified and the biggest of which is Alec McDonough, the Head of Fiction.
Grace Perkins: Married with two sons, she’s been working to support the family following her husband’s breakdown in the aftermath of the war. Torn between duty to her family and dreams of her own.
Evie Stone: In the first class of female students from Cambridge permitted to earn a degree, Evie was denied an academic position in favor of her less accomplished male rival. Now she’s working at Bloomsbury Books while she plans to remake her own future.
As they interact with various literary figures of the time–Daphne Du Maurier, Ellen Doubleday, Sonia Blair (widow of George Orwell), Samuel Beckett, Peggy Guggenheim, and others–these three women with their complex web of relationships, goals and dreams are all working to plot out a future that is richer and more rewarding than anything society will allow.
A dual first-person memoir by the acclaimed Vietnamese-American novelist and her thoroughly American teenage daughter.
In 1975, thirteen-year-old Lan Cao boarded an airplane in Saigon and got off in a world where she faced hosts she had not met before, a language she didn’t speak, and food she didn’t recognize, with the faint hope that she would be able to go home soon. Lan fought her way through confusion, and racism, to become a successful lawyer and novelist. Four decades later, she faced the biggest challenge in her life: raising her daughter Harlan–half Vietnamese by birth and 100 percent American teenager by inclination. In their lyrical joint memoir, told in alternating voices, mother and daughter cross ages and ethnicities to tackle the hardest questions about assimilation, aspiration, and family.
Lan wrestles with her identities as not merely an immigrant but a refugee from an unpopular war. She has bigoted teachers who undermine her in the classroom and tormenting inner demons, but she does achieve–either despite or because of the work ethic and tight support of a traditional Vietnamese family struggling to get by in a small American town. Lan has ambitions, for herself, and for her daughter, but even as an adult feels tentative about her place in her adoptive country, and ventures through motherhood as if it is a foreign landscape.
Reflecting and refracting her mother’s narrative, Harlan fiercely describes the rites of passage of childhood and adolescence, filtered through the aftereffects of her family’s history of war, tragedy, and migration. Harlan’s struggle to make friends in high school challenges her mother to step back and let her daughter find her own way.
Family in Six Tones speaks both to the unique struggles of refugees and to the universal tug-of-war between mothers and daughters. The journey of an immigrant–away from war and loss toward peace and a new life–and the journey of a mother raising a child to be secure and happy are both steep paths filled with detours and stumbling blocks. Through explosive fights and painful setbacks, mother and daughter search for a way to accept the past and face the future together.
Two years into World War II, Britain is feeling her losses: The Nazis have won battles, the Blitz has destroyed cities, and U-boats have cut off the supply of food. In an effort to help housewives with food rationing, a BBC radio program called The Kitchen Front is holding a cooking contest–and the grand prize is a job as the program’s first-ever female co-host. For four very different women, winning the competition would present a crucial chance to change their lives.
For a young widow, it’s a chance to pay off her husband’s debts and keep a roof over her children’s heads. For a kitchen maid, it’s a chance to leave servitude and find freedom. For a lady of the manor, it’s a chance to escape her wealthy husband’s increasingly hostile behavior. And for a trained chef, it’s a chance to challenge the men at the top of her profession.
These four women are giving the competition their all–even if that sometimes means bending the rules. But with so much at stake, will the contest that aims to bring the community together only serve to break it apart?
Nora, the owner of the Miss Guthrie Diner, is perfectly happy serving up apple cider donuts, coffee, and eggs-any-way-you-like-em to her regulars, and she takes great pleasure in knowing exactly what’s “the usual.” But her life is soon shaken when she discovers she and her free-spirited, younger sister Kit stand to inherit the home and land of the town’s beloved cake lady, Peggy Johnson.
Kit, an aspiring-and broke-filmmaker thinks her problems are solved when she and Nora find out Peggy was in the process of selling the land to a big-box developer before her death. The people of Guthrie are divided-some want the opportunities the development will bring, while others are staunchly against any change-and they aren’t afraid to leave their opinions with their tips.
Time is running out, and the sisters need to make a decision soon. But Nora isn’t quite ready to let go of the land, complete with a charming farmhouse, an ancient apple orchard and the clues to a secret life that no one knew Peggy had. Troubled by the conflicting needs of the town, and confused by her growing feelings towards Elliot, the big-box developer’s rep, Nora throws herself into solving the one problem that everyone in town can agree on-finding Peggy’s missing dog, Freckles.
When a disaster strikes the diner, the community of Guthrie bands together to help her, and Nora discovers that doing the right thing doesn’t always mean giving up your dreams.
The irresistibly charming memoir of a young woman who started her own business as a dog walker for London’s busy, well-heeled dog lovers. A true love letter to London, dogs, and growing up.
Aside from the odd biter or growler, the occasional bolter and the one dog who didn’t want to walk, the canines were the easy part. They were a muddy, messy joy in all shapes, sizes and breeds, from greedy Labradors to pampered pugs and everything in between. It was the owners who were the real challenge, a giddy mix of the over-protective, the clueless, the eccentrics and the perfectionists. There is no rule book on how to navigate the obsessions of the London dog owner. A degree in human psychology would have been far preferable to any sort of animal qualification. Not that I had either…
In 2006, Kate MacDougall was working a safe but dull job at the venerable auction house Sotheby’s in London. After a clumsy accident nearly destroyed a precious piece of art, she quit Sotheby’s and set up her own dog-walking company. Kate knew little about dogs and nothing about business, and no one thought being a professional dog walker was a good use of her university degree. Nevertheless, Kate embarked upon an entirely new and very much improvised career walking some of the city’s many pampered pooches, branding her company “London’s Number One Dog Walking Agency.”
With sharp wit, delightful observations, and plenty of canine affection, Kate reveals her unique and unconventional coming-of-age story, as told through the dogs, and the London homes and neighborhoods they inhabit. One walk at a time, she journeys from a haphazard twentysomething to a happily–and surprisingly–settled adult, with love, relationships, drama, and home ownership along the way. But, as Kate says, “It’s all down to the dogs” and what they taught her about London–and life.
The world has changed around seventy-nine-year-old librarian Millicent Carmichael, aka Missy. Though quick to admit that she often found her roles as a housewife and mother less than satisfying, Missy once led a bustling life driven by two children, an accomplished and celebrated husband, and a Classics degree from Cambridge. Now her husband is gone, her daughter is estranged after a shattering argument, and her son has moved to his wife’s native Australia, taking Missy’s beloved only grandchild half-a-world away. She spends her days sipping sherry, avoiding people, and rattling around in her oversized, under-decorated house waiting for…what exactly?
The last thing Missy expects is for two perfect strangers and one spirited dog named Bob to break through her prickly exterior and show Missy just how much love she still has to give. In short order, Missy finds herself in the jarring embrace of an eclectic community that simply won’t take no for an answer–including a rambunctious mutt-on-loan whose unconditional love gives Missy a reason to re-enter the world one muddy paw print at a time.
Filled with wry laughter and deep insights, The Love Story of Missy Carmichael is a coming-of-old story that shows us it’s never too late to forgive yourself and, just as important, it’s never too late to love.
In 1917, Alma Pihl, a master craftsman in the House of Fabergé, was charged to protect one of the greatest secrets in Russian history–an unknown Fabergé Egg that Peter Karl Fabergé secretly created to honor his divided allegiance to both the people of Russia and the Imperial tsar’s family. When Alma and her husband escaped Russia for their native Finland in 1921, she took the secret with her, guarding her past connection to the Romanov family.
Three generations later, world-renowned treasure hunter Nick Laine is sick and fears the secret of the missing egg will die with him. With time running out, he entrusts the mission of retrieving the egg to his estranged daughter, Ava, who has little idea of the dangers she is about to face. As the stakes are raised, Ava is forced to declare her own allegiance–and the consequences are greater than she could have imagined.
This modern-day treasure hunt from award-winning author Kelli Stuart transports you into the opulent and treacherous world of the Russian Revolution to unearth mysteries long buried.
Nathan Hale, the author’s historical namesake, was America’s first spy, a Revolutionary War hero who famously said “I regret that I have but one life to give for my country” before being hanged by the British. In the Nathan Hale’s Hazardous Tales series, author Nathan Hale channels his namesake to present history’s roughest, toughest, and craziest stories in the graphic novel format.
One Dead Spy tackles the story of Hale himself, who was an officer and spy for the American rebels during the Revolutionary War. Author Hale highlights the unusual, gruesome, and just plain unbelievable truth of historical Nathan Hale – from his early unlucky days at Yale to his later unlucky days as an officer – and America during the Revolutionary War.
From the New York Times bestselling author of This Is How It Always Is, a Reese’s Book Club x Hello Sunshine Book Pick, comes a timely, topical novel about love and family that will make you laugh and cry…and laugh again. How do you let go of the past when the past won’t let go of you? Everyone knows everyone in the tiny town of Bourne. But the Mitchell sisters are especially beloved, and not just because they’re teenage triplets. Mirabel is the smartest person anyone has ever met, and no one is fooled by her wheelchair or her Voice app into thinking otherwise. Monday is the town’s purveyor of books now that the library’s closed–tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her underwear drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne. For a few weeks seventeen years ago, Bourne was national news when its water turned green and was declared unfit for use, but it was too late for its residents. And just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up. Then a new student enrolls at Bourne Memorial High. He’s smart and handsome and exciting–and the Mitchell family’s sworn enemy. And soon, in a town where nothing ever changes, suddenly everything does.
Paris, 1939: Young and ambitious Odile Souchet seems to have the perfect life with her handsome police officer beau and a dream job at the American Library in Paris. When the Nazis march into the city, Odile stands to lose everything she holds dear, including her beloved library. Together with her fellow librarians, Odile joins the Resistance with the best weapons she has: books. But when the war finally ends, instead of freedom, Odile tastes the bitter sting of unspeakable betrayal.
Montana, 1983: Lily is a lonely teenager looking for adventure in small-town Montana. Her interest is piqued by her solitary, elderly neighbor. As Lily uncovers more about her neighbor’s mysterious past, she finds that they share a love of language, the same longings, and the same intense jealousy, never suspecting that a dark secret from the past connects them.
“A love letter to Paris, the power of books, and the beauty of intergenerational friendship” (Booklist), The Paris Library shows that extraordinary heroism can sometimes be found in the quietest places.
MAY 20, 2019: Homicide detective Mallory Atkinson is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness.
MAY 20, 1869: Housemaid Catriona Mitchell had been enjoying a half day off, only to be discovered that night strangled and left for dead . . . exactly one hundred and fifty years before Mallory is strangled in the same spot.
When Mallory wakes up in Catriona’s body in 1869, she must put aside her shock and adjust quickly to her new reality: life as a housemaid to an undertaker in Victorian Scotland. She soon discovers that her boss, Dr. Gray, also moonlights as a medical examiner and has just taken on an intriguing case, the strangulation of a young man, similar to the attack on herself. Her only hope is that catching the murderer can lead her back to her modern life . . . before it’s too late.
In A Rip Through Time, New York Times bestselling author Kelley Armstrong introduces a brand-new series mixing mystery, romance, and fantasy with thrilling results.
Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning graphic memoir based on her childhood! Raina just wants to be a normal sixth grader. But one night after Girl Scouts she trips and falls, severely injuring her two front teeth. What follows is a long and frustrating journey with on-again, off-again braces, surgery, embarrassing headgear, and even a retainer with fake teeth attached. And on top of all that, there’s still more to deal with: a major earthquake, boy confusion, and friends who turn out to be not so friendly.
Izumi Tanaka has never really felt like she fit in–it isn’t easy being Japanese American in her small, mostly white, northern California town. Raised by a single mother, it’s always been Izumi–or Izzy, because “It’s easier this way”–and her mom against the world. But then Izumi discovers a clue to her previously unknown father’s identity…and he’s none other than the Crown Prince of Japan. Which means outspoken, irreverent Izzy is literally a princess.
In a whirlwind, Izumi travels to Japan to meet the father she never knew and discover the country she always dreamed of. But being a princess isn’t all ball gowns and tiaras. There are conniving cousins, a hungry press, a scowling but handsome bodyguard who just might be her soulmate, and thousands of years of tradition and customs to learn practically overnight.
Izumi soon finds herself caught between worlds, and between versions of herself–back home, she was never “American” enough, and in Japan, she must prove she’s “Japanese” enough. Will Izumi crumble under the weight of the crown, or will she live out her fairy tale, happily ever after?
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.
As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?